— 10. BIBLE PROPHECY: ALL THE WICKED SHALL BE REMOVED FROM THE EARTH IN ONE DAY IN THE EVENING

dolf

2017-12-02 10:23:07 UTC

— THAT’S LIFE JIM EPITAPH

(c) 2017 Dolf Leendert Boek, Revision: 2 December, 2017

This Facebook post was repeatedly subject to censorship as deleted by
“The Free Thought Project” without reasonable cause and who as a
misnomered and supremacist organisation exercise prejudiced hedonism
against life by their indolent manner as the intolerance which is the
American Dream of vacuity.

EXCERPTS FROM "VERTREK CHAPTER 23: THE SHED—DE SCHUUR"

Piet had told me that every man needs a solitary place to daydream and
be himself. He felt that daydreaming is a definite key to
self-discovery, finding one’s place in the world. I often wondered if
the majority of Dutch people ever daydreamed.

What did Ernest Hemingway, Mark Twain, Gustav Mahler, Henry David
Thoreau, Thomas Jefferson, and Virginia Woolf have in common with my dad
Piet? All these great artistic men and woman had their schuur (shed)
either on a mountain or in their backyard. Piet had his in the backyard.
Not that Piet would have equated himself with these great men; his
cultural influence was too Calvinist for that, leaving him sober and
self-deprecating. Yet he made some of the most beautiful models of
vintage ships that I had ever seen. Of course I am biased; he was my
dad. We called the shed de schuur. Whenever we would ask Bets where Piet
was, she would answer, ‘Why do you ask? You know he is in his schuur.’
Wherever we lived, Piet had his schuur, although it was by any measure
not conventional.

The schuur centre was where beautiful things were made and happened.

From day one in Australia, Piet maintained his craft of building wooden
model ships, specializing in vintage ships. He would spend hours
carving, bowing, and sawing chiselling, bending, nailing, and measuring.
Friends or strangers would just sit in the schuur near him and watch,
often silently, sometimes quietly talking in the background. There would
frequently be quiet music, street organs, light classical, Vera Lynne,
Glen Miller, Duke Ellington, Corrie Brokken, Annie De Reuver, Toon
Hermans—the singers and musicians of his youth.

People wondered why Piet would make these beautiful ships. Was he
homesick for the Dutch waters, the river barges, the open North Sea, or
did he want to relive his memories through making models? Ships and
crafts were used as teaching aids by our parents for us kids; there was
a story attached to everything they made. Bets would make and teach
crafts for the Leopold Uniting Church, where young women would come and
learn. At times, the financial situation would be bad, and some of the
ships would be sold to the antique shops in Toorak, helping the family
out of difficult situations. He made ships of his youth, and the ones he
had worked on, such as the Koningin Emma (Queen Emma), a ferry ship
crossing to and fro on the River Scheld. Piet worked on this ferry after
he and his mates returned from police action in Indonesia and it had a
lot of meaning for him. He often said that the shapes of ships were like
beautiful women, symmetric curves, well-balanced and designed to move
swiftly through the fluids of life.

He built several models of James Cook’s ship, the Endeavour. Piet
realized that Captain Cook was a revered personage in Australia and the
building of the Endeavour would show that we Dutch were not only eager
to assimilate, but also eager to create a common element which we could
talk about with Australians, when we exhibited the splendid models.
After the Endeavour, models of other famous English ships followed, such
as Francis Drake’s Golden Hind, the first ship to circumnavigate the
world, then Captain Bligh’s Bounty, of Mutiny on the Bounty fame. Local
models were not forgotten. After a visit to Loch Arch Gorge near the
Victorian coastal town of Warrnambool, he was impressed. He made a visit
to the wreck site of the clipper Loch Arch, and wrote away to Scotland
for plans of the Loch Arch; it took him almost two years’ time to build
this magnificent and historically relevant sailing clipper.

One of his crown ships he made, besides the infamous but beautiful
Batavia, was the crown jewel of all of Piet’s models: De Zeven
Provincien (Seven Provinces), named after original provinces of the
Dutch Republic when it declared independence from Spain. De Zeven
Provincien was the flagship of the famous Dutch national hero Admiral
Michiel De Ruyter, a fellow Zeelander, who sailed up the River Thames,
causing the city of London to be evacuated. There were always exciting
stories, and he would entrance me with them as he was building his
creations.
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[IMAGE: DE ZEVENPROVINCEIN (SEVEN PROVENCES) as some of the treasures
made within solitude within de SCHUUR (SHED)]

He would tell me about the Battle of Solebay, which had a combined
French/ English fleet of seventy-four major warships against a
(victorious!) Dutch fleet of sixty-two. Of course history has forgotten
this; Piet was convinced that the English made sure it would be
forgotten. The Solebay battle pitted eighty-five Dutch warships against
an English fleet that eventually numbered at least seventy-four major
warships over a period of four days! Yet the English still credit
Trafalgar as the ‘greatest’ of sea battles! As kids, we all loved to
hear the stories of when De Ruyter and his fleet not only sailed up the
Thames and the Medway, destroying and carrying off a major portion of
the English fleet, but actually continued there for over a month,
blockading the Thames, terrorizing London, and raiding up and down the
river at will! Yet so little is written about this by the English. The
captured trophies of the Dutch invasion of England are still on display,
such as the stern carving of the biggest English warship, the Royal
Charles, captured by the Netherlanders still hangs with pride in the
Rijksmuseum at Amsterdam.

Of the many stories told in the schuur was this one, still my favourite:
The Zeven Provincien was ordered to search for forty captured Hungarian
Protestant ministers. They had been sold to the Spanish fleet to serve
as galley slaves. De Ruyter had an inkling that they were kept in a
Naples prison by the Catholic forces. The Neapolitans denied it, but De
Ruyter persisted, and anchored in the dead silence of the night, the
Dutch fleet blockaded Naples. In the middle of the first blockading
night, every sailor heard the prisoners sing Psalm 116. Admiral De
Ruyter immediately gave the Neapolitans an ultimatum: release the
Protestant ministers or face a bombardment aimed at annihilating Naples.
The twenty-six survivors sang Psalms 46, 114, and 125 as they were being
transferred to the Zeven Provincien on February 11, 1676. When the
transfer was complete, they knelt on the deck in their rags and
emaciated condition and sang Psalm 116. The Dutch seamen, who seldom
shed tears, wept openly. How did the Dutch know that the Hungarians (who
spoke no Dutch) were singing Psalms 46, 114, 125, and 116? Because they
were singing them in Hungarian on the Geneva tunes the same as Dutch tunes.

My oma had paintings done for our rooms about Michiel De Ruyter climbing
the church tower in Vlissingen (Flushing) to look out for the English
fleet and so save Zeeland from the naughty English.

It is worth noting that Piet made all things by hand from second-hand
materials; everything that was recyclable was used. He never purchased
anything ready-made from hobby shops; for him, every little thing had to
be authentic and handmade as it was originally done. He was fastidious
in detail and quality; everything had to be authentic. The Zeven
Provincien took Piet nearly three years to build with painstaking
patience. If a cannon was not perfect, he would make it over and over
again until it was perfect. The whole family became involved in the
history of the Zeven Provincien. According to Piet, the Dutch would have
lost against the English fleet if they did not have this ship and they
would not have had supremacy of the seas for nearly a hundred years.

For more than fifty years, Piet worked on his models, but never at the
expense of his family. We were proud of our dad and he transferred many
of his skills and personal attributes to his offspring.

In all our lives, there are aspects that define a person’s life
signature. For Piet’s, it is love for all things maritime, especially
the building of model boats and vintage ships. He had made many VOC
ships of the Dutch golden century; this gave us a sense of love for
history and the contribution our Dutch forefathers, such as
parliamentary democracy, discovery of new lands, banking and stock
markets, being good world citizens. Piet’s ship told these stories
because they were part of the Dutch global economy, begun in 1602 with
the founding of Batavia, now Jakarta. As a truly talented craftsman, he
loved books and reading, albeit nearly all maritime books. What happened
to the schuur? It is still standing; as I am looking at it right now, it
needs to be painted. The books are packed in crates; maybe they need to
be unpacked. The flags are folded; maybe they need to be unfolded. The
poetry on the wall is fading; maybe they need to be refreshed. The roof
is leaking in tiny spots; maybe it needs patching. The ships? Some of
them are in museums, and most of them are displayed in the living rooms
all over the world. The schuur remains a man’s shed; even when I enter
it today and friends come and visit, it reverberates hope, consistency,
nostalgia of a quieter, more stable time, a time when men used their
hands and brains and built things of worth. The schuur continues.

I EXCHANGED THIS DIALOG WITH THE AUTHOR TODAY

— SOLITUDE IS VERY DANGEROUS —

“It’s very addictive.
It becomes a habit.
After you realise.
How peaceful.
And calm it is.
It’s like you don’t.
Want to deal with people.
Anymore because they
Drain your energy.” [Jim Carrie epitaph, The Free Thought Project, 2
December 2017]

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[IMAGE: James Eugene Carrey (17 January, 1962) is a Canadian-American
actor, comedian, impressionist, screenwriter, and producer. He is known
for his highly energetic slapstick performances]

WIKIPEDIA PROFILE: "Carrey met model and actress Jenny McCarthy in 2005
and made their relationship public in June 2006. In April 2010, the two
ended their near five-year relationship. Despite the split and media
circulations, McCarthy stated in October 2010 that, 'Jim and I are still
good friends'.

On September 28, 2015, Carrey's former girlfriend, Cathriona White, a
native of County Tipperary, Ireland, was found dead from a prescription
drug overdose. The couple first met in 2012. Carrey was a pallbearer at
her funeral in Tipperary.

On September 19, 2016, Mark Burton, White's husband from 2013 until her
death, filed a wrongful death lawsuit against Carrey, claiming that
Carrey used his "immense wealth and celebrity status" to illegally
obtain and distribute prescription drugs involved in her death. Carrey
released a statement the following day:

What a terrible shame. It would be easy for me to get in a back room
with this man’s lawyer and make this go away, but there are some moments
in life when you have to stand up and defend your honour against the
evil in this world. I will not tolerate this heartless attempt to
exploit me or the woman I loved. Cat's troubles were born long before I
met her and sadly her tragic end was beyond anyone’s control. I really
hope that some day soon people will stop trying to profit from this and
let her rest in peace.

In October 2016, White's mother Brigid Sweetman also filed a wrongful
death lawsuit against Carrey.

In this lawsuit, Sweetman's attorney states that Carrey had undergone a
test for sexually transmitted infections, and "purposely hid the results
from Ms. White, whom he was intimately involved with, and failed to
inform her that he had tested positive for Hepatitis A, HSV (Herpes) I
and II, and Chlamydia. To make matters worse, Carrey then proceeded to
have unprotected sex with Ms. White with full knowledge that he was STD
positive."

Sweetman herself later issued a statement: "These documents show that
Jim Carrey has lied to the media, the public and the court. Carrey has
now been shown for what he is — a dishonest Hollywood celebrity who
thinks he can say anything and fool people just because he is famous."
[<https://en.wikipedia.org/wiki/Jim_Carrey>]

What pessimistic psycho-babbling diatribe:

#1 - Singularity as ensuring viability to any formula of autonomy has
precedence;
#2 - Reciprocity as anchorage / centrality with others is a delimitation
of the former;
#3 - How you mutually and agreeably choose to enjoy your opportunities
with others ought to be negotiable;
#4 - Avoid circumstances where the integrity of persons is compromised
by the intentions of others;
#5 - Acknowledge the cause for any disharmony and peaceably strive for
resolution;
#6 - Always make a better choice as the principle for self actualisation
(you need to happily live with an opportunity);
#7 - Understand that everything you do, say, want or refuse comes with
constraints and means.

That’s just a quick 5 minute hypothetical sketch which doubtlessly may
be improved upon.

Have you got something other than a glib statement Jim?

It’s life Jim but not as we know it ...

YOUTUBE: “It’s Life Jim”

http://youtu.be/FCARADb9asE

dolf

A DRAFT REVISION OF THIS DOCUMENT MAY BE OBTAINED AS A PDF DOCUMENT FROM
THIS URL:

<http://www.grapple369.com/docs/Jim.pdf>

Initial Post: 2 December 2017

Keeping this current.

--
SEE ALSO: *INVALIDATING* *THE* *ORTHODOX* *AND* *ROMAN* *CATHOLIC*
*CHURCH'S* *CLAIM* *TO* *JUBILEE2000* *AS* *BEING* *DELUSIONAL* *AND*
*FRAUDULENT*

Private Street on the edge of the Central Business District dated 16th
May, 2000 - This report is prepared in response to a TP00/55 as a Notice
of an Application for Planning Permit

- <http://www.grapple369.com/jubilee2000.html>

SEE ALSO: HYPOSTATIS AS DAO OF NATURE (Chinese: ZIRAN) / COURSE (Greek:
TROCHOS) OF NATURE (Greek: GENESIS) [James 3:6]

Chinese HAN Dynasty (206 BCE - 220CE) Hexagon Trigrams to Tetragram
assignments proposed by Yang Hsiung (53BCE - 18CE) which by 4BCE
(translation published within English as first European language in
1993), first appeared in draft form as a meta-thesis titled T'AI HSUAN
CHING {ie. Canon of Supreme Mystery} on Natural Divination associated
with the theory of number, annual seasonal chronology and astrology
reliant upon the seven visible planets as cosmological mother image and
the zodiac.

It shows the ZIRAN as the DAO of NATURE / COURSE-trochos OF
NATURE-genesis [James 3:6] as HYPOSTATIS comprising #81 trinomial
tetragrammaton x 4.5 day = #364.5 day / year as HOMOIOS THEORY OF NUMBER
which is an amalgam of the 64 hexagrams as binomial trigrams / 81 as
trinomial tetragrammaton rather than its encapsulated contrived use as
the microcosm to redefine the macrocosm as the quintessence of the
Pythagorean [Babylonian] as binomial canon of transposition as HETEROS
THEORY OF NUMBER.

- <http://www.grapple369.com/nature.html>

The Charter of Human Rights and Responsibilities No. 43 of Act 2006
defines a "PERSON MEANS A HUMAN BEING” and the question is, if it is
permissible to extend this definition to be a "PERSON MEANS A HUMAN
BEING AS A CONSCIOUS REALITY OF HOMO[iOS] SAPIEN[T] WHO IS INSTANTIATED
WITHIN THE TEMPORAL REALITY AS THEN THE CAUSE FOR REASONING AND
RATIONALITY."

That my mathematical theoretical noumenon defines the meta-descriptor
prototypes which are prerequisite to the BEING of HOMO[iOS] SAPIEN[T] as
EXISTENCE.

- http://www.grapple369.com/Grapple.zip (Download resources)

After all the ENNEAD of THOTH and not the Roman Catholic Eucharist,
expresses an Anthropic Cosmological Principle which appears within its
geometric conception as being equivalent to the Pythagorean
TETRAD/TETRACTYS.